Paul Signac
1863-1935
French
Paul Signac Galleries
Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists. Related Paintings of Paul Signac :. | Bridge | Harmonious times | morning mist | sardine fisbing | Beach at Saint-Briac By Paul Signac | Related Artists: Orozco, Jose ClementeMexican, 1883-1949
Mexican mural painter. When he lost his left hand at age 17, he abandoned architectural studies for painting, pursuing Mexican themes. As a caricaturist for a revolutionary paper, he explored Mexico City's slums and painted a series of watercolours, House of Tears, on the lives of prostitutes. The reaction of moralists forced him to flee to the U.S. in 1917, but in 1919 the new government of Álvaro Obreg??n welcomed him back, and he joined Diego Rivera and David Alfaro Siqueiros in creating large-scale murals for public buildings, in which he continued his radical social commentary. Again forced to abandon Mexico in 1927, he worked until 1934 in the U.S., where his style evolved and matured in murals from coast to coast. In 1934, his international reputation firmly established, he returned to Mexico and embarked on his most technically impressive and emotionally expressive murals, including Catharsis (1934), BOTTICINI, FrancescoItalian Early Renaissance Painter, ca.1446-1498
Francesco di Giovanni Botticini (1446 ?C July 22, 1498) was an Italian Early Renaissance painter. He studied under Cosimo Rosselli and Andrea del Verrocchio. He was born in Florence in 1446 and is mostly remembered for his painting entitled "Assumption of the Virgin"; he died in 1498 (some sources say 1497). He established his own workshop after a brief period as Neri di Bicci's assistant; the shop was renowned for its decorative works, a few of which can be seen in the cloistered church of Empoli. Some of Botticini's works are said to be overshadowed by his Florentine contemporaries, such as Filippino Lippi and Botticelli, who often influenced Botticini's works. Francis BaconEnglish , 1561-1626
British statesman and philosopher, father of modern scientific method. He studied at Cambridge and at Gray's Inn. A supporter of the Earl of Essex, Bacon turned against him when Essex was tried for treason. Under James I he rose steadily, becoming successively solicitor general (1607), attorney general (1613), and lord chancellor (1618). Convicted of accepting bribes from those being tried in his court, he was briefly imprisoned and permanently lost his public offices; he died deeply in debt. He attempted to put natural science on a firm empirical foundation in the Novum Organum (1620), which sets forth his scientific method. His elaborate classification of the sciences inspired the 18th-century French Encyclopedists, and his empiricism inspired 19th-century British philosophers of science. His other works include The Advancement of Learning (1605),
|
|
|